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中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2020年11月第26卷第6期
   
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文章编号:1672-3104(2020)06-0175-08
 
传承与颠覆:《哪吒之魔童降世》的反神话叙事
 
陈红梅
 
(江苏师范大学传媒与影视学院,江苏徐州,221000)
 
摘  要: 动画电影《哪吒之魔童降世》在遵循神话的原始叙事模型和精神骨架的基础上,从多个方面进行了颠覆式重构。该片采用了反神话的叙事方式,通过人物形象的反英雄设置、价值内核的当代表达和叙事线索的全新构建等方面,在民族语境下讲述了一个具有“陌生化”审美效果的当代神话。该片还采用了好莱坞商业影片的叙事方式,遵循着文化工业的生产逻辑,在精神内核和故事讲述方面还有深耕的空间。
 
关键词: 《哪吒之魔童降世》;反神话;传承;颠覆;反英雄;文化工业
 
 
Inheritance and subversion: The anti-myth narration of the animated film Nezha
 
CHEN Hongmei
 
(School of Media and Film & Television, Jiangsu Normal University, Xuzhou 221000, China)
 
Abstract: The animated film Nezha, on the basis of abiding by the primitive narrative mode and spiritual skeleton of myth, undertakes subversive reconstruction in many aspects. The movie employs the narrative mode of anti-myth, and by configuring anti-heroic character image, modern expression of core values and brand-new construction of narrative thread, tells of a modern myth with defamiliarized effect in the context of nationalism. Besides, the movie adopts the narrative way used by Hollywood commercial movies and adheres to the production logic of culture industry, which leaves much room for deeper exploration in spiritual core and story-telling.
 
Key words: Nezha; myth; inheritance; subversion; anti-hero; culture industry
 
 
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