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中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2020年05月第26卷第3期
   
本文已被:浏览485次    下载220次   在线阅读156
文章编号:1672-3104(2020)03-0157-07
 
“缘何愉悦”—当代西方恐怖艺术悖论研究
 
周宇航,杨莉馨
 
(南京师范大学文学院,江苏南京,210097)
 
摘  要: 当代西方对于恐怖艺术悖论的解读存在三种思路:一是以“压抑”“强迫性重复”“凝视”等概念为出发点分析愉悦成因的精神分析论;二是具体观点存在分歧但都强调愉悦是一种认知型情感并与好奇心紧密相关的好奇论;三是认为愉悦成因复杂所以并不试图寻求某一根本原因而从审美沉浸、现实映射等多方面展开论述的多元路径论。这三种观点彼此之间既冲突又互补,都在某个层面针对某一具体的艺术类型解释了恐怖艺术的悖论。
 
关键词: 恐怖艺术悖论;精神分析;好奇心;多元路径
 
 
Why pleasure: A research on the paradox of horror art in the contemporary West
 
ZHOU Yuhang, YANG Lixin
 
(School of Chinese Language and Literature, Nanjing Normal University, Nanjing 210097, China)
 
Abstract: There are three views to interpret the paradox of horror art in the contemporary west. First is psychoanalytic theory with the concepts of "repression", "repetition compulsion" or "gaze" as the starting point to analyze the causes of pleasure. Second refers to curiosity theory whose views, although divided, all emphasize that pleasure is a cognitive emotion and is closely related to curiosity. Third involves the multi-path theory which holds that the causes of pleasure are complex, and interprets from various aspects such as aesthetic immersion, reality mapping and other aspects rather than attempting to seek a fundamental cause. These three views, both conflicting and complementary, all explain paradox of horror art of a specific type at a certain level.
 
Key words: the paradox of horror art; psychoanalytic; curiosity; multi-path
 
 
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