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中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2011年04月第17卷第2期
   
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文章编号:1672-3104(2011)02-0039-04
 
从祭祀乐到雅乐
 
刘书惠
 
(东北师范大学文学院,吉林长春,130024)
 
摘  要: 在初始时期“乐”主要以“祭祀乐”的形态呈现,抒发的是一种宗教情感。随着文化氛围与社会环境的改变,“乐”更多的以“礼乐一体”的面貌存在。为了保持“乐”的独立性并提升其价值,儒家在“制礼作乐”的基础上将“祭祀乐”转化为更符合时代需求的“雅乐”,“乐”便与社会伦理、道德教育紧密相连,体现出儒家“乐教”理性与神性杂糅的特点。
 
关键词: 乐教;祭祀乐;雅乐;礼乐一体;先秦儒家;理性与神性
 
 
From Sacrifice Music to Elegent Music
 
LIU Shuhui
 
(Literary College of Northeast Normal University, Changchun 130024, China)
 
Abstract: Confucian school in pre-Qin dynasty held that Music originates sacrifice ceremony was presented as Sacrifice Music at the beginning, and expressed a kind of religional emotion. With the changing of culture atmosphere and social environment, Music exists more as a form of Combining Li and Music. In order to keep the independency of Music and improve its value, Confucian school transformed Sacrifice Music into Elegent Music which meets more the need of the time based on Making Li and Playing Music, thus, Music was connected to social moral principles and moral education, which shows a character of combining the rationality and divinity in Musical Education.
 
Key words: Musical Educatio; Sacrifice Music; Elegent Music; Combining Li and Music; Confucian school in pre-Qin dynasty; rationality and divinity
 
 
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