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中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2011年04月第17卷第2期
   
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文章编号:1672-3104(2011)02-0029-05
 
另类的身体展演
 
李华林
 
(成都大学文学与新闻传播学院,四川成都,610106)
 
摘  要: “性别中庸”这一概念的提出不是想当然的词汇联姻,而是在当前性征对个体身体审美的掩盖和代偿过程中一种不安的表达。 “性别中庸”是关于性别游移现象的正负效应的讨论之中表现出的一种必要的质疑形式。性别中庸概念的提出,也不仅仅是对当下社会一个群体的简单性归纳,也不是朝向传统的单一回归,而是要重审作为审美对象的身体,恢复性别的物质性、本来面目和自身强度,恢复他们的历史痕迹和历史效果,揭露其因为炒作的喧闹所盖过了的该群体的失语境地,使“性别中庸”成为我们切入身体审美文化系统的有效视域,从而进入到更为广阔的文化河流。
 
关键词: 性别;中庸;性别中庸;审美文化;身体审美
 
 
A Different Body Exhibit:

The Producing and Influence of “Neutral Gender”

 
LI Hualin
 
(College of Literature and Journalism, Chengdu University, Chengdu 610106, China)
 
Abstract: The producing of the concept “neutral gender” is not the simple combination of words and expressions, but an uncomfortable response of the sex character to the concealing of individual body tasting. For the author, “neutral gender” is the necessary oppugning form when discussing the uncertain gender form. The producing of the concept “neutral gender” in this paper, means neither the simple concluding to some colonies nowadays, nor regressing to tradition, but the scanning the body which is the object of tasting, and for the restoring of the corporality, the unvarnished character and the intension of gender, and restore the historical imprint and the historical effect of gender so as to disclose the essential content of this colony which has been concealed because of news uproar, finally, thus making “neutral gender” a visual field which can help researching the culture system of body tasting.
 
Key words: Gender; Mean; Neutral Gender; aesthetic culture; body aesthetic
 
 
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